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This is the website of the musicologist J. P. E. Harper-Scott

His academic profile (including teaching and research interests), publications, and blog, as well as information for current and prospective PhD students, can be found by clicking on the links below.

Academic profile Publications
Blog
PhD students

Harper-Scott has produced five books, three as author and two as editor, and has published widely on Elgar, Wagner, Britten, and symphonic music and opera of the late nineteenth and twentieth centuries. His work has strong intersections with continental philosophy and psychoanalysis (Heidegger, Badiou, Žižek, and Lacan) and has increasingly come to espouse an explicitly Leftist perspective. He is General Editor with Julian Rushton of the Cambridge University Press book series, ‘Music in Context’, a member of the editorial board of the International Journal of Badiou Studies, and also maintains the Golden Pages of conference listings and links of interest to musicologists and is a moderator of 9 JISC musicology mailing lists.

Recent Posts

Black tie, reactive feminism, and gay marriage

The uniform of the imperial ruling classes

Last year I was invited to a dinner at which the dress code was black tie. It was the first time in about a decade that I’d been to one and I had a major freakout before the event. I first wore black tie when I was at university, and in that social context it was marked as something fun, just a bit of dressing up while getting ludicrously drunk. But it isn’t just fun, and I was so concerned about having to wear it last year that I vowed never to do it again.

Black tie – the coming together of a black suit with silk lapels and a black bow tie – is the uniform of the imperial ruling classes. It was formalized by the Edwardians, in a dark period of bloody imperial overreach (rather like the one we live in now, under the American empire). When we read those two words, ‘black tie’, on an invitation, we should be aware of its undertones: only men count (women’s dress isn’t specified, though they’re expected to wear something that emphasizes their bodies), and the rigid separation of men and women is to be insisted on with full ideological force in a performance of separation into intellect (men, all blandly and identically dressed, so that the qualities of their mind in their conversation can be observed the more keenly) and body (women, there to simper, delight, and arouse). It is no more politically neutral to slip into black tie than it is to have a Brits-and-Zulus party with pith helmets. Continue reading

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